VoiceBox Radio & Grizzly Pear

Two very exciting events happened over two very exciting consecutive days:

Last Tuesday I was lucky enough to be invited on to VoiceBox, a spoken-word radio show on Burn FM, hosted by Elisha Owen and James Dolton, who, unlike Troy McClure, you may actually recognise from previous poetry posts. I was one of two guests alongside James Grady, a fantastic musician and comic performance poet. VoiceBox has hit upon a great structure, and Tuesday’s edition took in live and studio-recorded spoken-word tracks, live performances from Mr. Grady and I, some on-the-spot writing, and a fantastic debate spawned by their ‘contentious question’ of the week, which this time concerned the benefit(s) of slam poetry to the wider scene: a particularly relevant one considering my last post!

You can listen to both last week’s show, and the first edition which featured Jenna Clake and Mark Watson, on the VoiceBox SoundCloud page.

The following day saw the first 2012-13 instalment of the formerly low-key Writers’ Bloc open-mic night, now re-branded, re-booted and re-kicked up the proverbial arse as Grizzly Pear, with a swanky logo (well, a logo), and a pro head-liner for each event. I’ve been thinking up and organising this night for quite some time, so I was a little nervous and frantic as kick-off approached. But cometh the hour, cometh the silly fluorescent braces, and everything went swimmingly. On the night, I likened the experience to watching a child who you’ve raised and trained compete at sports day, the result of which is totally beyond your control. But in truth I was very much in a position to mess things up, as compere/host! I could’ve inadvertently poisoned Clayton Blizzard with an underdone Mexican Burger (before the Bristol Pear mobilises its lawyers, I’d like to say that the burger was fine), I could’ve killed someone with a loose electrical cable, I could’ve mispronounced a poet’s name, or done a (further) disservice to the Eminem song I was already bastardising! But, alas, the evening was a roaring success – described by one review as “dynamic, varied and thoroughly entertaining” – and I was genuinely overwhelmed by the positive responses from the audience during and after the event. Bristol-based folk-rapper Clayton Blizzard rounded off one of the most consistently high standard open-mics I’ve ever seen with a brilliant, humorous and profound set.

I’d like to extend my thanks to everyone that came and supported the event, from legends of Writers’ Bloc’s recent history (Sean Colletti) to legends of the academic Creative Writing circuit (Luke Kennard); from legends of the Birmingham spoken-word scene (Lorna Meehan) to legends of the current Writers’ Bloc cohort (too many to name). You know who you are, and so do I, plus where you live, more to the point. Joking aside, it was enthusing to see so many more unfamiliar faces than familiar ones at Wednesday’s event, which suggests that the poetry and spoken-word community might actually be expanding as quickly as I hope it is, to include people other than my immediate friends and course tutors!

I’ll see you at the next one, won’t I? Good. It features the apparently-unbeatable UK-wide Slam Champion Vanessa Kisuule, and it’s happening on Thursday 25th January. Whack it in your diary. Not write. I said whack.

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